Greco-RomanApostolic & Early Empirearchaeological_site
Ephesus Theater & Silversmiths of Artemis Inscriptions
Inscriptions from the 24,000-seat Great Theater of Ephesus naming the silversmith guilds and town clerk (grammateus)
T1Direct Archaeological Attestation94%
c. 1st c. AD (Reign of Claudius/Nero)
Discovery Excavation:Great Theater and Temple of Artemis, Ephesus, Turkey (J.T. Wood, 1869; Austrian Archaeological Institute)
Current Museum / Accession:Ephesus Archaeological Museum, Selçuk, Turkey; British Museum, London
Extensive epigraphy from the monumental theater of Ephesus naming the guild of silversmiths (argyrochooi), temple wardens (neokoros), and city secretary (grammateus), corroborating Acts 19.
Archival Museum & Excavation Photography
The British Museum / Israel Antiquities Authority
Preserved basalt and limestone theater and colonnaded street of the chief city of the Decapolis.
Corroboration Distribution for Connected Passages (24 records)
83% Confidence
24 sources
41.67%
33.33%
12.5%
Direct Archaeology10(41.67%)
Ancient Historians8(33.33%)
Dead Sea Scrolls & Manuscripts2(8.33%)
Scholarly Consensus1(4.17%)
Debated & Traditional3(12.5%)
Claim-by-Claim Epistemic Verification Breakdown
Rigorous 4-part empirical analysis separating ancient text from bias and consensus
1
Literal Translation / Primary Inscription
Epigraphic Record
Inscriptions celebrate Ephesus as 'neokoros' (temple guardian/warden) of Artemis; others honor the guild of silversmiths who crafted miniature silver shrines of Artemis, and detail the administrative responsibilities of the 'grammateus' (town clerk).
2
Biblical Corroboration & Cross-References
Scriptural Harmony
Corroborates Acts 19:23–41: Demetrius the silversmith incites a riot in the 24,000-seat theater shouting 'Great is Artemis of the Ephesians!', and the 'town clerk' quiets the mob by reminding them that Ephesus is 'temple keeper (neokoros) of the great Artemis'.
Scholarly Debate, Historiography & Modern Consensus
Critical Nuance
Austrian excavations uncovered the Salutaris inscription (104 AD), describing processions of silver statues of Artemis carried from her temple into the theater, exactly matching Luke's description.
4
Ancient Author Bias, Royal Propaganda & Perspective
Ideological Context
Civic euergetistic decrees honoring wealthy citizens and maintaining commercial monopoly of the Artemis pilgrimage industry.